![]() "So we had to come up with a way to use technology to tell the story. "We couldn't find a trained mouse that could wear clothes, walk on two feet and deliver lines," jokes executive producer Jason Clark. STUART LITTLE represents a huge stride forward in the field of digital character creation. White was too smart to write a story just for children. He said it was one of the few dreams that he was ever able to use for a story. He fell asleep, and when he woke up he had a mouse rattling around in his head. White was in a sleeper car, and he was on his way back to Manhattan. "Stuart actually was born on a train ride," explains Wick. White, Stuart's creator, who wrote the original book with this multigenerational appeal. Watching the heroics of someone three inches tall can be very inspiring." Despite an obvious appeal to the younger set, STUART LITTLE manages to strike a balance between children's fantasy and an adult sensibility.įilmmakers drew inspiration from E.B. As a child, you're always looking at the world at knee-level, and it seems scary and overwhelming. Wick observes, "Every child feels like a different species than his parents. He recognizes that he looks different than other people, but that's not important," comments director Rob Minkoff. "Stuart is a guy who doesn't look at the world from a mouse's perspective. These obstacles might present a problem for a typical mouse. Their hearts tell them that Stuart is a perfect fit for the Little family, even though no reasonable person could possibly agree."Īs his adventures unfold, however, Stuart is faced with challenges and choices that could risk his truly deserved happiness. They see another living creature who is smart, kind and very alone. Producer Douglas Wick explains the family's unusual choice: "The Littles don't really see a mouse when they look at Stuart. Keeper at the orphanage to "adopt within their own species," the Littles beam with the pride of new parents. Little bring home a surprising addition to the Little family. In a cozy brownstone nestled among the gray monoliths along the section of Fifth Avenue that borders New York City's Central Park, Mr. Also starring are Julia Sweeney, Dabney Coleman, Estelle Getty and Allyce Beasley. Stout, Chazz Palminteri as the voice of Smokey, Steve Zahn as the voice of Monty, and David Alan Grier as the voice of Red. STUART LITTLE also features Jennifer Tilly as the voice of Mrs. The effects team includes Academy Award®-winning senior visual effects supervisor John Dykstra, animation supervisor Henry Anderson and visual effects supervisor Jerome Chen. Rounding out this talented group of filmmakers are director of photography Guillermo Navarro, production designer Bill Brzeski, editor Tom Finan and costume designer Joseph Porro. Night Shyamalan (writer and director of The Sixth Sense) and Greg Brooker. The Columbia Pictures presentation STUART LITTLE is executive produced by Jason Clark, with Jeff Franklin and Steve Waterman also serving as executive producers under a Franklin/Waterman Production. The creation of the film's title character and some of his friends and adversaries represents one of the most ambitious ventures to date into photo-real, performance-based digital character creation. It combines live action with groundbreaking visual effects by the artists and innovators at Sony Pictures Imageworks, who have taken digital character creation to a bold new level with the birth of Stuart. You and we have the right to know, learn, read, hear what and how we deem appropriate.Īll donations are kept completely private and confidential.STUART LITTLE is a film from producer Douglas Wick's Red Wagon Productions. Our website is open to any citizen journalists and organizations who want to contribute, publish high-quality insights or send media releases to improve public access to impartial information. It is a bumpy road with all sorties of difficulties. We endeavour to provide the community with real-time access to true unfiltered news firsthand from primary sources. This tendency is not only totally unacceptable, but also to a degree frightening). According to independent assessment, about 98% of the media sector is held by three conglomerates. Since the trend of consolidation is and has historically been upward, fewer and fewer individuals or organizations control increasing shares of the mass media in our country. Media ownership in Australia is one of the most concentrated in the world ( Learn more). We don't put up a paywall – we believe in free access to information of public interest. Well, unlike many news organisations, we have no sponsors, no corporate or ideological interests. ![]()
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